
This lets customers achieve the desired overall volume without creating artifacts when mastering sound. The new Multi-band compressor features realtime spectral analysis and four different independently adjustable frequency bands. This lets customers quickly fix problems such as dual-channel mono dialogue that was edited in stereo tracks. The new Stereo Fix plugin features presets for the most common channel mapping operations so clips can be fixed with a single click. The Fairlight page includes dozens of refinements along with new FairlightFX plugins that make fixing common problems and mastering final audio faster and easier than before. In addition, colorists can now bypass mixer node inputs by turning off connected nodes and can export gallery stills with custom label names. Colorists will also find new plugins for ACES transformations and limiting gamut. The new Beauty plugin is designed to gently and realistically smooth textures and blemishes on skin and other surfaces. This makes it easier to use vertical video or photos in standard widescreen timelines because customers no longer have to manually create a background. The Blanking Fill plugin automatically fills black letterbox or pillar box areas of the screen with defocused video. New highlights make it easier to see which portion of the interface is active so customers know which keyboard shortcuts they can use.ĭaVinci Resolve 15.2 also includes new ResolveFX plugins.

Shortcuts can even be assigned to commands in contextual pop-up menus. Keyboard sets can be shared between systems and shortcuts can now be assigned to different pages and user interface panels within the application.

The included keyboard sets emulate other popular editing applications, making it easier for editors switching to DaVinci Resolve. The new visual interface lets editors quickly see which keys are in use and assign shortcuts. Keyboard customization has been completely redesigned in DaVinci Resolve 15.2. That means customers no longer have to manually select a clip to change a parameter. The inspector, on-screen controls and metadata viewer on the Edit page now automatically update to show the relevant information for the highest visible clip under the playhead.
